Kane's looks varied from boxy white jackets, candy-colored pleated dresses
held together with nuts and bolts, and tailored dresses in white,
canary yellow and muted neutral prints embellished with bows, detailed
beading and masking tape.
The designer
revamped his trademark bandage dress using plastic ruffles and nipped-in
waists, added floaty skirts to draped dresses and kept accessories
minimal, with models wearing matching shoes in neutral shades, detailed
with spikes, spirals, nuts and bolts.
"It's such
extraordinary sophistication combined with absolute creative brilliance,
it's so out of the box the way he is thinking, and it was just
incredible, and I think that's increasingly what London is becoming
known for," Lucy Yeomans, editor-in-chief of retail site Net-A-Porter.com, told Reuters after the show.
Scottish designer
Kane, 30, has become a staple of British fashion after debuting his own
label in 2006, gaining recognition for his creativity with color (using
solely neon hues for his first collection) and shapes, presenting bold
and vibrant creations.
His talent has won him a consulting spot at Versace and he has also designed collections for Atelier Swarovski.
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