Kane's looks varied from boxy white jackets, candy-colored pleated dresses
 held together with nuts and bolts, and tailored dresses in white, 
canary yellow and muted neutral prints embellished with bows, detailed 
beading and masking tape.
              The designer 
revamped his trademark bandage dress using plastic ruffles and nipped-in
 waists, added floaty skirts to draped dresses and kept accessories 
minimal, with models wearing matching shoes in neutral shades, detailed 
with spikes, spirals, nuts and bolts.
              "It's such 
extraordinary sophistication combined with absolute creative brilliance,
 it's so out of the box the way he is thinking, and it was just 
incredible, and I think that's increasingly what London is becoming 
known for," Lucy Yeomans, editor-in-chief of retail site Net-A-Porter.com, told Reuters after the show.
              Scottish designer 
Kane, 30, has become a staple of British fashion after debuting his own 
label in 2006, gaining recognition for his creativity with color (using 
solely neon hues for his first collection) and shapes, presenting bold 
and vibrant creations.
              His talent has won him a consulting spot at Versace and he has also designed collections for Atelier Swarovski.
 
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